瓷器简介：卷缸瓷，清代宫廷大型文房或陈设用器。其器型饱满厚重，胎质细腻坚致，釉面莹润光亮。器身以胭脂红釉为基底“胭脂红釉”又称：金红釉（以金为呈色剂，烧制成本高昂、技术难度大），器腹设圆形开窗，内绘龙凤纹：龙纹矫健威严，凤纹华美灵动，辅以祥云纹饰，暗合“龙凤呈祥”的皇家吉瑞寓意；外以缠枝花卉纹铺陈，与胭脂红地形成，层次丰富。底部落“大清乾隆年制”六字篆书款，是乾隆官窑的标准款识，是清代乾隆时期宫廷用瓷。
Porcelain Overview: this scroll jar falls under the category of large - scale stationery or decorative items used in the imperial court of the Qing Dynasty. It features a plump and substantial form, with a fine and compact porcelain body, and a lustrous and shiny glaze surface. The body of the jar is coated with rouge red glaze, which is also referred to as gold - red glaze. This glaze uses gold as the coloring agent, resulting in high production costs and significant technical challenges. On the abdomen of the jar, there is a circular medallion. Inside this medallion, dragon and phoenix motifs are painted. The dragon motif looks powerful and imposing, while the phoenix motif appears beautiful and agile. Accompanied by auspicious cloud patterns, they imply the imperial good fortune and harmony symbolized by "dragon and phoenix bringing auspiciousness". Outside the medallion, interlocking floral patterns are arranged, creating a visually rich effect when combined with the rouge red background. At the bottom of the jar, there is a six - character seal script mark that reads "Made in the Qianlong Reign of the Great Qing". This is the standard mark of the imperial kilns during the Qianlong period.It is porcelain commissioned for the imperial court during the Qianlong reign of the Qing Dynasty.
收藏统计:同款胭脂红地彩开光龙凤纹大缸真品全球现存世不超 6件，其中2件分别藏于北京故宫博物院、台北故宫博物院。此件胭脂红地粉彩开光龙凤纹大缸于2025 年6 月今成国际集团在香港一位私人收藏家处购买，清乾隆胭脂红地粉彩开光龙凤纹大缸体现了当时制瓷水平的巅峰，也反映了乾隆皇帝对皇权稳固、天下太平的文化表达。不仅是一件瓷器，更是一个集皇权象征。
According to collection statistics, there are less than six genuine pieces of the "Qianlong Imperial Rouge Red Ground Polychrome Openwork Dragon and Phoenix Motif Large Jar" in the world. Among them, two are respectively kept in the National Palace Museum in Beijing and the National Palace Museum in Taipei.
In June 2025, Jincheng International Group spent a large sum of money to acquire this "Rouge Red Ground Polychrome Openwork Dragon and Phoenix Motif Large Jar" from a private collector in Hong Kong. This jar not only represents the highest level of porcelain - making during the Qianlong period but also reflects Emperor Qianlong's cultural expression of desiring stable imperial power and a peaceful world.More than a piece of porcelain, it is an embodiment of imperial power.
收藏维度：皇权背书的稀缺孤品 ，作为乾隆官窑器物，其出身皇家，专为宫廷烧制。龙凤纹是皇权的最高象征，仅用于皇帝、皇后使用的器物上，具有无可比拟的历史与身份价值。
Collectible Dimension: A Rare and Unique Artifact Endorsed by Imperial Authority
As an artifact from the Qianlong imperial kiln, it was exclusively crafted for the royal court. The dragon and phoenix motifs, representing the highest symbols of imperial authority, were reserved solely for utensils used by emperors and empresses, endowing it with unparalleled historical and symbolic value.
• 工艺集成：“胭脂红釉”（以金为呈色剂，技术源自欧洲，成本高昂）和“开光绘画”两大顶级技法，代表了当时世界制瓷工艺的最高水平。
A masterpiece of craftsmanship: this vat integrates two top-tier techniques, namely "carmine glaze" (using gold as the colorant, a technique originating from Europe with extremely high costs) and "openwork painting", representing the highest level of porcelain-making craftsmanship in the world at that time.
• 纹饰寓意吉祥：开窗内的“龙凤呈祥”是中国传统吉祥文化中最尊贵的组合，象征着阴阳和谐、国泰民安，兼具美学价值与文化内涵。
Auspicious implications in patterns: the "dragon and phoenix bringing prosperity" inside the openwork is the most prestigious combination in traditional Chinese auspicious culture, symbolizing the harmony of yin and yang, national peace and people's security, and embodying both aesthetic value and cultural connotation.
• 市场需求：全球范围内对中国顶级古董的需求持续旺盛。随着各大博物馆体系的完善，以及国家对一级文物的管制，能够进入流通市场的乾隆官窑重器数量逐年减少，供给几乎处于“枯竭”状态。财富人群的增长催生了对顶级艺术品的收藏需求，而乾隆官窑瓷器作为中国古董的“皇冠明珠”，是高端收藏的“标配”与终极目标。
Market demand: global demand for top-tier Chinese antiques remains strong. As major museum collections become increasingly comprehensive and with the state's tightened control over first-grade cultural relics, the number of important Qianlong imperial kiln pieces entering the circulation market has been declining year by year, with supply nearing a state of "exhaustion." The growth of wealthy populations has fueled the demand for collecting artworks, and Qianlong imperial kiln porcelain, as the "crown jewel" of Chinese antiques, has become a "must-have" and the ultimate goal in high-end collecting.